A sweeping and eye-opening study of wealth inequality and the dismantling of local government in four working-class US cities that passionately argues for reinvestment in people-centered leadership and offers "a welcome reminder of what government can accomplish if given the chance" (San Francisco Chronicle). Decades of cuts to local government amidst rising concentrations of poverty have wreaked havoc on communities left behind by the modern economy. Some of these discarded places are rural. Others are big cities, small cities, or historic suburbs. Some vote blue, others red. Some are the most diverse communities in America, while others are nearly all white, all Latino, or all Black. All are routinely trashed by outsiders for their poverty and their politics. Mostly, their governments are just broke. Forty years after the anti-tax revolution began protecting wealthy taxpayers and their cities, our high-poverty cities and counties have run out of services to cut, properties to sell, bills to defer, and risky loans to take. In this "astute and powerful vision for improving America" (Publishers Weekly), urban law expert and author Michelle Wilde Anderson offers unsparing, humanistic portraits of the hardships left behind in four such places. But this book is not a eulogy or a lament. Instead, Anderson travels to four blue-collar communities that are poor, broke, and progressing. Networks of leaders and residents in these places are facing down some of the hardest challenges in American poverty today. In Stockton, California, locals are finding ways, beyond the police department, to reduce gun violence and treat the trauma it leaves behind. In Josephine County, Oregon, community leaders have enacted new taxes to support basic services in a rural area with fiercely anti-government politics. In Lawrence, Massachusetts, leaders are figuring out how to improve job security and wages in an era of backbreaking poverty for the working class. And a social movement in Detroit, Michigan, is pioneering ways to stabilize low-income housing after a wave of foreclosures and housing loss. Our smallest governments shape people's safety, comfort, and life chances. For decades, these governments have no longer just reflected inequality-they have helped drive it. But it doesn't have to be that way. Anderson shows that "if we learn to save our towns, we will also be learning to save ourselves" (The New York Times Book Review).

Double bill of British wartime comedies directed by Oswald Mitchell. In 'Jailbirds' (1940), escaped convicts Nick (Charles Hawtrey) and Bill (Albert Burdon) get jobs working in a bakery where they try to hide a stolen diamond necklace by placing it in a loaf of bread. But the pair are forced to come up with a daring scheme to recover the stolen jewels when the prized necklace goes missing. 'Sailors Don't Care' (1940), follows the antics of father and son Nobby (Tom Gamble) and Joe Clark (Edward Rigby) after they join the River Patrol Service.

This book is open access under a CC BY license. This book is the first to develop explicit methods for evaluating evidence of mechanisms in the field of medicine. It explains why it can be important to make this evidence explicit, and describes how to take such evidence into account in the evidence appraisal process. In addition, it develops procedures for seeking evidence of mechanisms, for evaluating evidence of mechanisms, and for combining this evaluation with evidence of association in order to yield an overall assessment of effectiveness. Evidence-based medicine seeks to achieve improved health outcomes by making evidence explicit and by developing explicit methods for evaluating it. To date, evidence-based medicine has largely focused on evidence of association produced by clinical studies. As such, it has tended to overlook evidence of pathophysiological mechanisms and evidence of the mechanisms of action of interventions. The book offers a useful guide for all those whose work involves evaluating evidence in the health sciences, including those who need to determine the effectiveness of health interventions and those who need to ascertain the effects of environmental exposures.

On Election Day in 2016, it seemed unthinkable to many Americans that Donald Trump could become president of the United States. But the victories of the Obama administration hid from view fundamental problems deeply rooted in American social institutions and history. The election's consequences drastically changed how Americans experience their country, especially for those threatened by the public outburst of bigotry and repression. Amid the deluge of tweets and breaking news stories that turn each day into a political soap opera, it can be difficult to take a step back and see the big picture. To confront the threats we face, we must recognize that the Trump presidency is a symptom, not the malady. Antidemocracy in America is a collective effort to understand how we got to this point and what can be done about it. Assembled by the sociologist Eric Klinenberg as well as the editors of the online magazine Public Books, Caitlin Zaloom and Sharon Marcus, it offers essays from many of the nation's leading scholars, experts on topics including race, religion, gender, civil liberties, protest, inequality, immigration, climate change, national security, and the role of the media. Antidemocracy in America places our present in international and historical context, considering the worldwide turn toward authoritarianism and its varied precursors. Each essay seeks to inform our understanding of the fragility of American democracy and suggests how to protect it from the buried contradictions that Trump's victory brought into public view.

World War Two drama starring James Mason. When four intelligence officers arrive in occupied France on a mission to determine the strength of the German forces, they know full well that they are on a suicide mission. But once they penetrate the Nazi headquarters, can they survive long enough to get their information to the British troops? Roland Culver, Michael Wilding and Hugh Williams co-star.

On Election Day in 2016, it seemed unthinkable to many Americans that Donald Trump could become president of the United States. But the victories of the Obama administration hid from view fundamental problems deeply rooted in American social institutions and history. The election's consequences drastically changed how Americans experience their country, especially for those threatened by the public outburst of bigotry and repression. Amid the deluge of tweets and breaking news stories that turn each day into a political soap opera, it can be difficult to take a step back and see the big picture. To confront the threats we face, we must recognize that the Trump presidency is a symptom, not the malady. Antidemocracy in America is a collective effort to understand how we got to this point and what can be done about it. Assembled by the sociologist Eric Klinenberg as well as the editors of the online magazine Public Books, Caitlin Zaloom and Sharon Marcus, it offers essays from many of the nation's leading scholars, experts on topics including race, religion, gender, civil liberties, protest, inequality, immigration, climate change, national security, and the role of the media. Antidemocracy in America places our present in international and historical context, considering the worldwide turn toward authoritarianism and its varied precursors. Each essay seeks to inform our understanding of the fragility of American democracy and suggests how to protect it from the buried contradictions that Trump's victory brought into public view.

Podcasts boomen: Immer mehr Anbieter drangen mit eigenen Formaten auf den Markt. Gleichzeitig nimmt die regelmassige Nutzung in allen Publikumsgruppen stetig zu. Diesen vielfaltigen Potenzialen des neuen Mediums steht eine in Deutschland noch verhaltnismassig uberschaubare Forschungslage gegenuber. Der Sammelband soll dazu beitragen, Podcasts als neues Forschungsfeld der Medien- und Kommunikationswissenschaft abzustecken. Der Sammelband erstreckt sich thematisch von den Podcaster*innen, dem Medium und seinen inhaltlichen Besonderheiten bis hin zum Rezeptionsprozess und den Hoerer*innen.

Der schweizerdeutsche Konjunktiv kann sich besser gegen den Indikativ behaupten als der standarddeutsche, dessen Formen vielfach mit denjenigen des Indikativs zusammenfallen. Haufig hat man darin den Grund fur die besondere Vitalitat des schweizerdeutschen Konjunktivs gesehen. Doch wie lebendig ist er in der aktuellen Sprachverwendung wirklich? Welche raumlichen Gliederungen innerhalb der schweizerdeutschen Dialektlandschaft ergeben sich im Zusammenhang mit dem Konjunktiv? Wie unterscheidet sich sein Formen- und Verwendungsspektrum von dem des standarddeutschen Konjunktivs? Welche Rolle spielt die analytische Bildung des Konjunktivs Prateritum und welches Hilfsverb wird dafur verwendet? Diese und weitere Fragen werden auf der Basis selbsterhobener Daten diskutiert.

Michael Wilding's essays on Marcus Clarke's life and works, from his schooldays at Highgate with Gerard Manley Hopkins to membership of the Melbourne Bohemian Yorick Club with Adam Lindsay Gordon and Henry Kendall, and his associations with the Chief of Police Captain Frederick Standish, the Irish nationalist politician and political prisoner Sir Charles Gavan Duffy, and the President of the Melbourne Public Library Sir Redmond Barry. Essays on His Natural Life, Clarke's classic novel of the convict system; on Chidiock Tichborne the historical romp about the Catholic conspiracy to replace Elizabeth I on the English throne with Mary, Queen of Scots, and spymaster Sir Francis Walsingham's espionage operation to expose it; on Old Tales of a Young Country about the early years of European settlement and the brutalities of the convict system; on his journalism ranging from exposes of the lives of Melbourne's down and outs and homeless, to reminiscences of the Theatre Royal's Cafe de Paris, and the spoof account of the Melbourne Cup written by aid of a camera obscura; on his literary essays, reviews and obituaries of Bret Harte, Honore de Balzac, Charles Dickens and Adam Lindsay Gordon; and on his short stories, ranging from realistic accounts of his up-country days on sheep stations and mining towns in the Wimmera, and speculations on the alternative futures of what life might have been, to sensational tales of Gothic horror, crime mystery, fantasies of opium dreams and mesmeric trances, and sophisticated literary experiment in his account of taking hashish, Cannabis Obscura and the premature post-modernism of 'The Author Haunted by His Own Creations'.

Meticulously using contemporary newspaper reports, court records, published memoirs, private letters and diaries, Michael Wilding tells the story of three troubled geniuses of Australian writing and their world of poetry and poverty, alcohol and opiates, horse-racing and theatre, journalism and publishing. Gordon shot himself, unable to pay the printer of his poems; Kendall ended up in a mental hospital after forging a cheque, and Clarke died bankrupt for a second time.

Das Buch ist vor allem fur Berufs- und Berufsfachschuler geschrieben, jedoch auch zur Vorbereitung fur die Meisterprufung gedacht. Einen vereinfachten, ubersichtlicheren Aufbau hat das Werk dadurch erfahren, dass auf der linken Buchseite stets die Theorie mit Beispielaufgaben und auf der rechten Seite eine Fulle von Aufgaben zu finden sind. Die Inhalte sind an neue Normen und Verarbeitungsvorschriften angepasst. UEbungen zum Umgang mit dem Taschenrechner sind neu aufgenommen und am Ende des Buches ist eine Formelsammlung angehangt.